Armine Iknadossian: Morning Paper

After a night of weeping
I misread simple words,
mistake dust for lust, overlook
the bloated belly of the letter d.
Today, profession is possession
as two s’s merge, one selfishly
consuming the other.
Restful inevitably turns resentful.
And love is lose,
a consonant for a consonant,
an eye for an eye.
Satin turns into stain, a dyslexic
anagram, a failed romance.
I want to say more than anything
that kiss does not hiss,
that k’s outstretched hand is not rejected,
but every stroke of the alphabet
cringes or folds, replaces itself
with its bitter alter ego, dares me
to destroy every letter you wrote me,
every song you penned in my name.

- Armine Iknadossian

Armine Iknadossian: Lost Poem

I looked for you
under the barstool
underneath my wine glass
you were mine for one half hour

stolen by an oil-streaked man
in an olive-colored suit
pinky ring winking
who molested you with his eyes

extracted you from the wedge of my pocket
smoothed you out
decoded you in the alley
outlaw rhythm of my beating eyelashes

my bracelet trailed your shapely limbs
as I transcribed you from the smoky air
found you floating above the candles
let you fall out of your gown

loser to the noise and clatter we are summoned
to grace
amidst flowering pots

you are the wink of an eye at midnight
the end of a bumpy road is home at dusk
the balmy air a shawl around your neck
the streets that catered to your history
the zipping of crickets
the enchantment of the invisible green behind your house
this is your home
where skin sticks to skin sticks to everything
black ovals on paper with curvy legs
so the street lamp glows
and black is the color of night
so you are free here
the railroad tracks reveal your moveable nature
the sun rises in the hour of red
and fantasy is a sliver of lemon sugared
knuckles are guardians of hands
living under bridges of skin
the vigilante vein patrol that screams impact to a wall
a hole in the afterbirth of jazz
in the horn blows of the mad
when your eyes left stains on your cheeks
and necks were meant for kissing
the rope is knotted
a footstool is a sad friend realized


Copyright Armine Iknadossian. Used here by kind permission of the author.

Armine Iknadossian: Love Poem

A black comb of words
to hold in your hand,
a semantic romance, a roman à clef,
a myth to deconstruct.

This poem you want
needs a bit of irony, needs to bleed
from the ears. There are many stones
to haul from the quarry, to lay before your feet.
Unless you want something spoon fed.

No, you want lines that swoon
in front of your lashes
like a thousand oars dipping into the sea.
This poem must remove all your splinters

while standing on its head,
must guide your eyes,
bluer than the grottos of Capri,
down its narrow alleys.
Trust that it won’t cut you open. Yes,

this is like gross anatomy.
I am naming all my inhibitions
while you peer over my shoulder,
one by one I am handing you my bones.



Copyright Armine Iknadossian.
Used here by kind permission of the author.

Armine Iknadossian: If Joan of Arc Was Still Alive

She would be sitting by the Mediterranean
at sundown, the sky as red as Campari,
knitting, or maybe sharpening her cutlery

on a large stone. She would talk to the sea,
its curling fingers of foam, its fists of water
like a woman climbing out of ash and bone.

In the evenings she would eat black olives
as she watched the sea, that burning beast.
She’d spit out each pit and examine the seeds

for clots of dried blood, tiny tumors, a set of bloody teeth.

Copyright Armine Iknadossian.
Used here by kind permission of the author.

Armine Iknadossian: Too Warm to Write a Love Poem

I can hear the words
in the whirring of the fan
or the leaf blower five houses down.

There’s a word: interior
and then another word: fracture
before I sigh and shift in my chair.

When will I write
to reveal my wounds
as if unveiling pieces of art?

I move the fan closer.
It insists on sacrifice and eyelash
but all those poems are taken.

I go to the kitchen.
It is too warm
to write a love poem.

The tea kettle sings like Tosca
before she hurls herself
off the rampart.


Copyright Armine Iknadossian.
Used here by kind permission of the author.

Armine Iknadossian: Jerusalem Syndrome

like the others she only comes here
not Lourdes not Montserrat
thinks she’s the Prophetess of the Olive Tree
wanders deserts dressed in hotel bed sheets
crouches at the Church of the Holy Sepulcher
shaves all body hair and cuts her nails
stays outdoors to feed off the sun and the moon
washes her vagina at sunup and sundown
chants loudly for humanity to become calmer purer
is arrested for kicking people near the church
and when police question her she raises her arms
holds up the heavens as if welcoming the Messiah

Copyright Armine Iknadossian.
Used here by kind permission of the author.

Armine Iknadossian: Lost

in the cotton-mouthed morning
a red-crowned crane raises its beak,
watches the grey sky, recovers
from the miles left behind in the Far East

alone in the misty field of lilac,
today could be his last.
what wind could carry him home?
what promise of tomorrow?

Copyright Armine Iknadossian.
Used here by kind permission of the author.

Introducing Armine Iknadossian

Armine Iknadossian lives in Glendale, California and teaches high school English. She received her BA from UCLA and an MFA from Antioch University Los Angeles. She has just completed her first manuscript, Gnosis. Publications include Pasadena City College‘s Inscape, UCLA’s Wisteria, Cal State Northridge’s Edges, Lounge Lit: An Anthology of Poetry and Fiction by the Writers of Literati Cocktail and Rhapsodomancy and zaum.

“The Return” was a finalist in Backwards City Review’s annual poetry contest. “March Eulogy”, winner of Prose Poems at Work, and “Bodies of Water”, a featured poem of the month, can be viewed at www.writersatwork.com. Her poetry can also be viewed on line at www.litparlor.com, www.poeticdivesity.org, and, www.poetsagainstwar.org.

An interview with poet Eloise Klein Healy will be featured at www.mediacakemagazine.com this summer.