Showing posts with label Leonardo Alishan. Show all posts
Showing posts with label Leonardo Alishan. Show all posts

Monday, March 31, 2025

Leonardo Alishan: Songs of Armenia

I: Armenia Sings to the Black Sea

My teeth, the songbirds, age with snow, 

the winds plough wrinkles on my face, 
and each of these stones, my bones,
has a sea gull for a heart, caught in its marrow.

I dream of my hair, sails,
my fingers, sailors,
and seasons of God's breath
blowing in my hair.

The apparition of a horse 
haunts my mind, the storage 
of Ararat's ancient tales. 
The sound of swords slamming 
against blood-black sacrificial 
altars of foreign gods, echoes 
in the hollow of my hands.

My hands, in dreams, are seashells, 
splashing blue secrets into my ear. 
My soul is a soft shore
in my dreams, salt in her words.

Arax, my bloodstream, sings my life 
to me. Wolves drink from the banks 
of Arax, when you, my lost lover, my sea, 
gone with the leaf and the wind,
are aeons of annals away,
the memory of motherhood
in an ancient woman's leather breasts.

Venice... sails of silk . . .
wet under the vulture's wing –
sunburst after clouds,
sunstroke after snow –
turquoise of your water
into drops of sweat. . . .
My mad daughter in my room, Arax
walks round and round my heart.

Shattered ships, scattered driftwood,.
the sunken skeletons of my firm-breasted yesterdays, 
disturb my dreams, my sea, O husband
of fish soul, and black heart.


II: The Seafarer Sings to Armenia

My fate soaks in the diary of a wave.

Wind pulls at the sea's white hair,
sea screams the piercing cold of her shells 
into the pearls of my spine, night's necklace 
breaks and splashes into the sea, sparks 
and patches of smoke rise to the deck.

With salt in my lungs,
I make my way through water 
to water, never reaching you.

Stories of you reach the islands of my days 
and suckle me to sleep, and to sunrise, 
woman of my father's eyes
and mother's hair.

Wind and water recognize
among sea-blue flowers and sun-gold grass,
the two black buds blooming
in my blood-rimmed eyes, 
offspring of seeds
slipped through your fingers.

Dusk settles ancient dust
on the roofs of Yerevan,
my hair grows gray.
The mountain my mother milked every morning 
for my snow, is left untended,
milk oozing from her swollen breast.
Longing, I weep my daughter's watery arms.

My winged arms, in dreams,
are sheltered in winter with wool
your hands weave in your sleep.
Winds of these steel cities
have plucked feathers
from my wheat-old wings and pressed them
with dying flowers
in the history books of lonely girls.

Your mirage appears through the angle
of a gray angel's wing, spread above a factory. 
Images of you meet my mouth with bird-beaks. 
From the idle islands no one sings,
no bird leads to harbor,
no harbor leads to you.

Pillaged caravans, crushed villages,
the rotting corpses of my stallion yesterdays 
disturb my dreams, my home, O wife
of snow soul, and bone heart.



III: The Wedding Song

Shattered stained-glass windows 
scattered on the dry sand...
Though I draw His face on the cave's wall 
He does not come to me.
    The souls of wolves caught
    in the starving wind, have set 
    the pieces of glass, words
    I have gathered, to music . . . . 
Of children's mouths, opening 
into petals of holy colors
I sing
to myself, of the autumn wind I sing
rushing through the sleep of yellow leaves.

Quicksilver rises through the pearls of my spine. 
My eyes are on the wind
in the eyes of my son,
on this torn paper bag,
on the marbles of dead days 
scattered all over the street.
I cannot catch the wind
in this torn bag,
with these eyes of marble
I cannot love.

Heavy with a scream, my tongue
the wave, rises
but drops. Through the songbirds,
my snowy teeth, your name blows
with the blood-warm breeze of aeons 
of summers and springs:
Ani... Ani...
anointed with the milk of snow.

The affluence of answers decorates 
the ancient throat of your columns, Ani. 
The powder of the black petals in my eyes 
and your stones: that alchemy
molds my bones - the nests
of sea gulls, the fields of wheat. 
My lips season fish-words with salt, 
with salty lips I sail your name, Ani,
on seven seas.
Your scattered bones, my spoils, words
of many colors, pieces of glass cut with diamonds, 
meet into a window and shield my son
from the wild, piercing wind.
Ani... Ani... your name still sings to me.

My silk-wings are your sails,
on your stone-thighs I stand.
In your forests of my hair, songbirds sing,
and fishes lay eggs in the Van and Sevan of my eyes.
I, mountain, hold high the drowning child of the ark. 
My arms are your borders,
my fingers, your sentinels.
The wheat-mane of my son will dance, Ani,
as he harvests the winds
in your fields.

Ani,
    water, palm tree, home,
                                    oh Ani, 
through the pieces of night 
on these desert-flat pages, 
through the black cracks 
of these white columns,

you sing to me.

This poem appeared in the Winter 1981 issue of Ararat




Wednesday, July 23, 2014

Leonardo Alishan: Untitled

I could not look
my victim
in the eyes
though he was dead

I shaved

without once
looking
my victim
in the eyes.




This poem has appeared in RAFT, A Journal of Poetry and Criticism, Volume 4, 1990.

Thursday, May 08, 2014

Leonardo Alishan: Anniversary Poem (For Neli)



Leonard Alishan (1951-2005)



Plucking petals is a sin.
Listen to my song, my love,
though I sing it silently;
though I sing it 
through the tired blackbirds
nesting in my eyes.

Like gold dust
settling at the bottom of the pan,
your love has settled
in my bones
and blood.

This love, buried under
sixteen generations of red ripe apples
and sixteen layers of golden leaves,
is a treasure,
the gold of a bygone era
that lives in its coins.

I love you
though the narrow pass of my throat
grows increasingly dangerous
for a caravan of words.
Words reach your ears
pillaged and plundered,
cut off from the rest,
making no sense.
Accept the nonsense
with extended arms,
palm tree,
well of clean water,
safe shade.

When I lived
on a small unchartered island
in an unsailed sea,
I saw you in the sun
stitching the leaves of the palm tree
to the white clouds
with golden needles,
keeping my island afloat.
And I love
your life imbued Armenian fingers
wheat scented
and sun burned
but finer than the long thin tail
of a small tropical fish.

Plucking petals is a sin.
Take the flower, my love,
and smell my love song
from a kiss.

This poem has appeared in RAFT

Տարեդարձի Քերթուած
                                  Նէլիին

Թերթերը պոկելը մեղք է։
Լսէ՛ իմ երգս, սէ՛րս,
թէեւ երգս լուռ է.
թէեւ կþերգեմ զայն
աչքերուս մէջ բոյն դրած
սեւ թռչուններուն ընդմէջէն։

Տապակին յատակը նստած
ոսկէփոշիի նման
սէրդ է նստած
ոսկորներուս եւ
արեանս մէջ։

Այս սէրը, թաղուած
հասուն կարմիր խնձորներու
տասնըվեց սերունդներու
եւ ոսկէ տերեւներու տանըվեց
խաւերու տակ
գանձ մըն է --
անցած օրերու ոսկին՝
որ կþապրի իր ստակներով։

Կը սիրեմ քեզ,
թէեւ նեղ անցքը իմ կոկորդիս
երթալով վտանգաւոր կը դառնայ

բառերու կարաւանի մը։
Բառեր կը հասնին ականջներուդ
կողոպտուած եւ աւարուած,
պոկուած մնացածէն
անիմաստ դարձած։
Ընդունէ՛ անմտութիւնը
բաց թեւերով --
արմաւենի,
ջինջ ջուրի հոր,
ապահով շուք։

Երբ կþապրէի
փոքր անծանօթ կղզզիի մը վրայ
անծանօթ ծովու մը մէջ,
տեսայ քեզ արեւին մէջ
կարելդ արմաւենիին տերեւները
սպիտակ ամպերուն
ոսկիէ ասեղով
կղսիս ալեծածան պահելով։
Եւ կը սիրեմ
քու կենարար, ցորեն բուրող
եւ արեւահար
հայու մատները,
աւելի նուրբ քան երկար, նիհար
պոչը փոքր արեւադարձային ձուկին։

Թերթերը պոկելը մեղք է։
Ա՛ռ ծաղիկը, սէ՛րս,
եւ հոտոտա՛ համբոյրէ մը եկած
սիրոյ երգս։


......................Լէոնարտօ Ալիշան
Թարգմանեց՝ Թաթուլ Սոնենց

Wednesday, March 19, 2014

Leonardo Alishan: Untitled


At my birthday parties 
we played musical chairs. 

Whoever was left standing 
got a big hug from Granny. 

She knew all too well how it felt 
to be the last one, left alone, standing.


This poem has appeared in RAFT, A Journal of Poetry and Criticism, Volume 4, 1990.

Monday, January 31, 2011

Leonardo P. Alishan: a new collection of poetry


A new collection of poetry by the late Armenian-Iranian-American poet, Leonardo Alishan, "Dead Man's Shadow," is now available. 


Edited by Lucian Stone it is published by Blind Owl Press, an imprint of Mazda Publishers




2011: xlix+145,6 x 9. ISBN:1-56859-287-6; ISBN 13: 978-1568592879(softcover).
For more information and to place an order  
click on this link

Thursday, December 24, 2009

Leonardo Alishan: Christmas Eve, 1988

Angels sleep on a stack of gambling debts
gathering dust and interest.
The ivy loses five leaves every day.
I helplessly count
the last sleeping pills
on my unfamiliar fingers.
The Christmas tree is a village maid
all made up for her wedding night.
The fireplace is a big, black yawn.
Yellow leaves should not be left
among the green.
(Why does Granny's ghost
sleep under my son's bed?) . . .
The big win, the sure bet
never was and never came.
I kissed the bottle goodbye
but the apricots never kissed me back.
A cigarette butt burns my nostrils
but I am too tired
to put it out.
My guardian angels sleep
with their broken wings
on my soft stack of gambling debts.
In the mirror I see
God's corpse burning in the acid seas.
The tired ivy hangs her bare arms languidly.
(I'm too tired to bend,
raise the blankets from my son's bed,
and play peek-a-boo
with Granny's ugly ghost.) . . .
It [is] . . . frustrating
. . . counting sleeping pills
and having extra fingers left.
In the end, the old fireplace
will have the ultimate pleasure
of belching smoke
after making a meal of the Christmas tree.
(Merry Christmas Granny and good night.)

Monday, May 05, 2008

Leonardo Alishan: Apparitions in April (Rhapsody for Gayane)

II

It's April, as all months are on my calendar,
and every day's the twenty-fourth.
And in April everything's in bloom in Utah;
tell me, love, why is my landscape always this desert?
The same bare, barren, burnt desert
with nothing in sight but a bottomless bottle
balanced on the tightrope of the horizon?

This desert is our home, my love,
with its black hills of scavenger birds
and its black seas of burning stones.
Hold my hand, granny, I'm just nine
and you are, after all, fourteen years old.


Leonardo Alishan
This poem was published in ASPORA, Volume II, 1995.

Thursday, November 15, 2007

Leonardo Alishan: Anahit as Armenia

Papa broke the bread in
half. The aroma. I remembered
you. A bone, somewhere in me,
broke. Hungry, I kissed mama
good-night and left. All night
I tossed in my sleep, dreaming
of your scent, of mama's hair.
I have never known you Anahit,
but I know your perfume well.


Copyright Leonardo Alishan.
From the volume Dancing Barefoot On Broken Glass, Ashod Press, New York, 1991.

Friday, November 02, 2007

Leonardo Alishan: The Miracle

The lion came to the city
asking for me.

He did not find me.

I was in the church praying
for the lion to arrive.

Copyright Leonardo Alishan.
From the volume Dancing Barefoot On Broken Glass, Ashod Press, New York, 1991.

Wednesday, October 31, 2007

Leonardo Alishan: Communion

Bach?
No.
Give me mad Komitas.
Give me the compositions
he composed
in the last years of his life
in the last cells of his soul,
and wrote
on the desert sand.
No.
Bach's God
is a cathedral God,
mathematically too precise.
Give me my mad Komitas searching
for his handful of notes
amidst one million and five hundred thousand
dead.
Give me music made with bread
baked with blood.
Let the flawless Father
be Bach's,
let Bach's flawless music
be his Father's.
Give me that simple necklace
made with the teeth
of a mutilated God.
Yes. Give me
Komitas.


Copyright Leonardo Alishan.
From the volume Dancing Barefoot On Broken Glass, Ashod Press, New York, 1991. This poem has also appeared in RAFT, A Journal of Poetry and Criticism, Volume 4, 1990.

Monday, October 29, 2007

Leonardo Alishan: Lazarus

Today I celebrate my health
with the taste of cigarettes
and the smell of fresh coffee.
Today I can pass
the ordeal of molten brass.
I can walk on fire
and survive poisoned wine.
Today I am a divine king
dressed for a festival
in rags.
Today the sun is a golden disc
I flung into the sky.
The sparrows are my courtiers
chirping proper praises,
and all the lights turn green.
Today jealous gods argue
over my fatherhood
and my worst poems
look good.
Though it is not noon yet
and by late afternoon
I may be begging a worm
to lend an ear to my woes,
it is not noon yet
and there is time to walk
unrecognized among my people,
to wipe a tear with a joke
and gloom with a compliment.
Today my wings feel fresh,
today my hands feel fine.
Today my heart is as happy
as a drunk vagabond
invited into a brothel
for the night.
And, who knows, by tonight
I may feel up to it
to fly into the sky
and light the moon for you,
for today I am alive,
my lungs are bigger
than a pelican's beak,
my liver is as soft
as a swallow's breast,
and nothing
seems impossible.

Copyright Leonardo Alishan.
From the volume Dancing Barefoot On Broken Glass, Ashod Press, New York, 1991.

Thursday, October 25, 2007

Leonardo Alishan: Earthly Paradise II

Sitting by the soft fire, I will
sip my tea and tell my grandsons that
yes, I was there, on that ship
with Odysseus, though I was
a simple sailor with wax stuffed
in my ears, and I did not hear
the Sirens' song. And that
is why, my children, we are
here, together, now.

Copyright Leonardo Alishan.
From the volume Dancing Barefoot On Broken Glass, Ashod Press, New York, 1991.

Saturday, August 12, 2006

Leonardo Alishan: The Game

Click to hear the audio clip The Game read by Yeraz Markarian.

When papa was in a good mood
he played hide and seek
with my little brother and me
in grandma's huge orchard in Isfahan.

Sacco hid the best.
Papa, the worst. And I
didn't like to hide at all.
But we were together and it was fun.

We went on playing
as the years went by. One
hid in England, one in America,
and papa stayed counting in Iran.

Then we found each other again
and again we played.
But there was a problem now:
whoever hid, could not be found again. . .

Oh, my most beloved ghosts,
this is your brother, this is your son,
and I'm done counting!
Ready or not, here I come.

Leonardo Alishan (1951-2005)

Leonardo Alishan was born of Armenian parents in Tehran, Iran. He came to the U.S. for graduate studies in 1973 and from 78-97 he taught Persian literature and comparitive literature at the University of Utah in Salt Lake City. His poems and stories have been published in a variety of national and international journals and have been the recepient of a number of literary awards. Alishan's first collection, Dancing Barefoot on Broken Glass, appeared in New York in 1991. His second, Through a Dewdrop was published in Glendale, California in 2002. "Tired Thoughts" was awarded the People Before Profits Poetry Prize for 2003.

Saturday, July 15, 2006

Leonardo Alishan: Tired Thoughts

Click the link to hear Tired Thoughts read by Yeraz Markarian.

They have buried ten million mines
in Afghanistan, one land mine
for every two or three Afghans,
regardless of age or ethnic background.

They have planted death in the womb
of the mother. Prosthetic limbs are airdropped
with food. They have planted a mine
under God's pillow and his dreams of doves.

Every night a new dark dream spreads
its wings in my sleep. This morning I woke
with a throbbing headache. I woke tired.
I had defused or detonated mines all night.

A dream so real, I checked my limbs.
They were still mine. A dream so dark
I checked my heart. God was still there.
But also still mine and also still there

was the problem of ten million mines,
ten million limbs, ten million lives, ten million
dreams, blown apart in the heart of a God
who plows with the farmers and lives in my heart.

Leonardo Alishan (1951-2005)

This poem won the 2003 People Before Profits Poetry Prize.